The Revelation., a group of ten plays written by playwrights across the U.S. explores the idea of transformation featuring twenty talented actors both native to NYC and from out of town. Genres are drama, comedy, sci-fi, and politics.
“Revelations” focuses on the central theme of characters experiencing awakenings that change the course of their lives. Some of the characters’ challenges include exactly how to negotiate a mixed-gender bathroom in a local high school; how a stuffy white college professor can relate to a young African-American student, and howa "hypothetical" President can set out on a mission to change the world.
There will be a Q and A at the end of the show, allowing the audience to engage with the actors and offer feedback.
Complimentary wine and appetizers will be served.
Purchase tickets at
We enjoy sharing untold stories, and entertaining audiences with bold thought-provoking concepts that are reflective of our voices.
Our productions feature a wide range of genres that aim to stimulate, captivate and delight.
Blue Pearl Theatrics Theater Company has successfully produced several productions in New York City's theater district and surrounding areas. Our recent productions include Shattered! Deception, Denial and the Truth, Dimensions, ActSense and The Passion of Power featuring some of the most promising talent in New York City.
We are currently seeking submissions for unproduced, one act, original plays by living writers.
We are seeking a variety of genres and interesting stories of all kinds.
Stories with LGBT characters are welcome!
There is no monetary compensation. A video reel of your play will be provided.
If you would like your play to be considered, please send an email with the subject line "PLAY SUBMISSION" with the following:
• a copy of your script in .PDF or Word format
• a brief synopsis of your play
• a short bio and/or resume
• contact information
The play should be around ten-minutes in length.
The play must have no more than four characters.
The play must be unpublished and unproduced at the time of submission. Please do not send your play if it has been produced.
For immediate consideration email: email@example.com
(Shattered: Deception, Denial & The Truth)
How did you get your start in acting?
I've been an actor since January 2012, when I began acting at a Harlem Community Theater called I Act, You Act. I got started, by meeting a professor Lori Kee from BMCC, who I was told by a friend that she was giving workshop classes during Oct. of 2011. We met, spoke about the classes, and why I am interested in taking them. Once that was done, I was told of when the classes wold be and took them, and continued to take 3-4 more 4 week workshops. Lori Kee's workshop classes really helped me in opening with myself and the acting world and believing in myself that I can be an actor. It was the first step of many opportunities.
What has been your biggest achievement in the field of acting?
My biggest achievement in the field of acting honestly would be my first one-act play off off broadway. To be on stage for ten minutes straight performing without stopping to do it over in between like film, was proof to myself that I can do it. I never thought I could and I took the opportunity and achieved it. I will mention winning the best actor diamond award for both the NYC INDIE FILM AWARDS and L.A. SHORT AWARDS online competitions are a definite close for biggest achievement.
Do you prefer performing on stage or film?
I prefer film, but I do like to dabble onstage, because it's a different beast. More challenging and rewarding, which is fine, but film is preferable. I like the process better and the opportunities with it when being filmed like changing performances on different takes.
What are some of the challenges you face as an actor?
Some of the challenges I faced being an actor, really comes from within. Having beat myself up, as not being good enough, although I have gotten better, but remembering long lines, and not having the time to really embrace roles and auditions, because I work day and night with jobs that are not acting.
When you have a five-minute break during rehearsal, what do you spend that time doing?
When I have a five-minute break during rehearsal, I either still rehearse in my head or even I'm confident enough I just relax. When it's time it's time.
Tell us about your dream role?
My dream role would be one like Keanu Reeves as Neo in The Matrix or Chris Pratt in Guardians of the Galaxy as Star-Lord. A cool movie, with a well received character. Simple.
What types of projects are you looking to work on in the future?
Types of projects I'm looking forward to are more drama related and action. I want to do more main villain/bad guy roles. Action too!
(In the Darkness of Winter, Passion of Power, Actsense, Dimensions, Shattered, Defiance)
What shows are you currently working on?
My hands are pretty full right now directing four plays for the ActSense: Ladies First project, but I recently directed a new one-act play called Hiss Hiss Kiss Kiss for Lovecreek Productions, for whom I direct one-acts several times a year. I have been fortunate enough to get asked by John Ladd to direct several of his plays. One of his plays A Difference in Taste is being presented as part of ActSense: Ladies First.
Why do you enjoy directing? How did you begin?
I enjoy directing one-acts because I get to work with a lot of new, young actors who are excited to be onstage. I began in the summer of 2011 directing one-acts for Lovecreek Productions as part of my service hours I was required to put in in exchange for the chance to perform onstage. However, I never viewed the directing as a "requirement" that I "had to do". I see it as an opportunity to expand my talents and experiences. I enjoy directing very much, and as it turns out, I have done more directing for Lovecreek than acting.
Have you ever played a role in a play you directed?
Yes, a few times, mostly as a matter of convenience. There have been times when an actor dropped out of a play, and, rather than re-casting and having to coordinate another person's schedule with the rehearsal schedule, I just decided it was best if I took over the role.
What have been some of your greatest challenges as a director?
As I alluded to above, scheduling can be a challenge, especially in New York, where actors lead such busy lives working, auditioning, rehearsing for other projects, etc. I remember one play I directed called Flirt! in which I had to choreograph a fight scene between two actors, who, due to their schedules, were never able to be at rehearsal at the same time. I would always rehearse it with one or the other of them, with myself stepping in as their opposite in the fight. That was kind of exhausting, and it was in the hot summer, too, no less! The two actors finally got together at the tech rehearsal, and did the fight scene together for the first time, and they did it beautifully. Granted, I kept it simple due to the challenge in scheduling, but I had to give us all kudos for pulling it off.
What sort of projects would you like to work on in the future?
I would like to direct a full-length play in which I get to work with some of my favorite actors. One thing I love about directing, is that when I do get to cast the plays, I like to cast people with whom I enjoy spending my time. I would also like to get back onstage myself in a full-length play.
(Passion of Power, Shattered, Dimensions)
How did you get started acting? What was your first role?
I was always infatuated with the medium. Being able to express yourself artistically, creating and being involved with projects that mean something and perhaps even elevating a single person, if even for a few moments, is a huge contribution to the world in my humble opinion. The opportunity to use the sensitive sides of yourself in the work. I have a B.A. in psychology and in my past have also worked in the filed and i feel both derive from the same source and essence: In psychology you use yourself to feel the person in front of you. In acting you use yourself to make the person in front of you feel. I also love the lifestyle of constantly moving from project to project and meeting new people all the time. I guess after working several years at a desk job you appreciate such dynamic environment. I was always involved in some way in the acting world but began to pursue it professionally about three years ago upon moving from Israel to NYC. a week after landing and starting my journey at the Strasberg institute for acting I landed my first lead in a New York play. The play was Dario Fu’s We Won’t Pay. I was terrified in the beginning, having to learn so much text and in English (which is my 2nd language). However that tutored in to a fun and growing and extremely learn-full experience. We (cast members, director and tech team) got a long so well and had fun spending all these hours together, I took it for granted thinking that would be the experience in every production. beginners luck they call it…
Tell me about a time where you had difficulty with a character. What was the character and why was it challenging?
Two come to mind. the first was Giovanni, the character I played in We Won’t Pay the challenge was adapting to the style of the play which was a farce. Every thing needs to be “bigger”, which is a great treat for an actor but also a challenge in terms of keep the truth of the story and circumstances. The second would by Solyony in Three Sisters. dealing with the classical material as well as portraying a villain in a vulnerable and sensitive manner took time to develop and reach to a point I was “ok” with.
What was your most memorable role? Why?
I love them all. I would so The Shape of Things. I love Neil LaBute plays. I loved the end scene and I felt my scene partner and I just had the chemistry the roles demanded. Something about our work just feels “undone” and I would like to revisit it. I’m hunted by it. But also playing Victor in Noel Cowards Private Lives is something I also look back a lot. Being in a comedy of manners, rich people who have no real problems, that lavish life. It was fun “being in it”.
If you could change just one thing about the industry with the wave of a magic wand, what would it be?
Compensation. When I see people write under compensation: Meal, IMDB credit. It really makes me angry. you are playing for your cleaning services, you are paying for your transportation, you are paying for your laundry why can’t you pay your actors? I’d love to live in a world where actors could get by on Meals and IMDB credit. Unfortunately my landlord doesn’t accept IMDB credit… I feel meals and IMDB credit just goes without saying.. you don’t need to mention it that same way as an actor I don’t say I will act in your film and memorize lines…
Where do you see yourself 5-10 years from now?
I honestly have no idea. whatever it may be I hope it will be here in NYC. the best city
(In the Darkness of Winter, Passion of Power, Actsense, Dimensions, Shattered, Defiance)
How long have you been an actor? Where did you get started?
I've been an actor professionally since I was 17. But I always tell people I've been an actor from birth. My first time in front of an audience was at the age of 2. It was a small skit in church depicting the message that my uncle was preaching that morning. I still remember dressing up like a Roman soldier with a sword and everything because he was preaching about putting on "The Whole Armor Of God".
Why do you enjoy acting?
It's just an escape, and a release. We all have problems in our lives that we wish we could just forget or even run from; And for a few hours on set or on stage I get to be someone else. While it's true that whoever I'm portraying probably has issues even more dramatic than mine, it's not real and it's sometimes good to see that hey my life isn't as bad as his. Also I see it as an amazing vehicle for change. So many stories can be told through theater and film it's almost the most effective way to convey complex ideas in our society. So if anything I do can help inspire change or at least bring someone a litter joy and entertainment then I know I've done a good thing.
Tell me about a time where you had difficulty turning yourself into a character. What was the character and why was it challenging?
There was a play called He'll Work It Out, great story, great message. I played the lead character Reggie who was a top student destined for greatness. Unfortunately he gets caught up abusing drugs and getting to a place where his addiction was top priority. One scene he visits his grandmother who he was very close to and he attempts to steal some money from her while she's in another room clipping coupons. She hears him in hee purse, chases after him and eventually falls down her stairs holding the scissors. She dies. The challenge for me came during the funeral scene where I needed to cry over her grave. In real life I've dealt with a lit of loss and I've built up a strong tolerance to loved ones passing on. So even though the director wanted real tears in rehearsal, I just couldn't get to a place where I could produce them. If that show had happened a couple years later where I actually lossed my grandfather to an avoidable situation, I know I could have done it. But at 20 years old I was just too hardened to be that vulnerable on stage.
What is the best role you've ever played, and why?
There have been a lot and I'm kind of stuck between 2. But I'll say Reynaldo in Where Are All The Good Black Men a show from earlier this year. The message and writing was just so powerful. People would come to me after the show and thank me for the performance. It's also a role where I got to show the most range and skill.
Are you working on any current projects? If so, tell us about your character/s.
Right now there are 4. My youtube series Why Not Just Tell The Truth, Where Are All The Good Black Men, A Christmas Without Him, and Are You Or Aren't You. My show is Jason a young man with a lot of hell breaking loose around him. I won't say much more than that. You'll have to check it out at youtube.com/TruLuvEnt. I already told you about Reynaldo. Franklin is from the Christmas show. He's a young aspiring RnB singer trying to have a great Christmas with his family. But he finds out his sister has a dark secret, his father's been lying to the family, his brother doesn't make it home from the military and he does his best to keep his mom sane. Lastly is Ray from Are You Or Aren't You. That show will be part if a festival called "In The Darkness Of Winter" December 20 and 21 at the Playroom Theater 151 West 46 street. Ray is a man in his mid 30s trying to make it in a Rock band but slowly starting to give up on that dream. And a big reason is because the reality hits that his girlfriend Beverly may be pregnant and he doesn't have time for dreams anymore. The whole play centers around their ups and downs as they await the test results.
What are your strong points as an actor?
I think my strong point is simply being believable. I come off very natural and settled on stage. Even though deep inside I'm more nervous than most people would be. I can play exaggerated characters and over the top comedic roles but I think I shine the most as a realistic person that the audience can connect with and relate to.What sort of acting roles do you hope you are performing in the future?I'm the future I'd just like more interesting roles. I know I have a really young look so I land a lot of teenagers or baby face pretty boy types but I'd love to do like an action movie with guns, swords, whatever. I actually have a background in martial arts and competitive marksman shooting. I'd like to put it to some sort of use. Also I'd like to tell a biographical story. It could be someone real like Will Smith or someone fictional. But I want to take a character throughout their entire life and take an audience on that journey with me.